Paper stocks, sizes and finishes
Every trim size, paper weight and finish available on the marketplace, and which to pick for notepads, cards and calendars.
Three choices decide how a printed piece feels in the hand: how big it is, how heavy the paper is, and what the surface does. This guide lists everything available on the marketplace and explains what each choice is actually for. The tables below are generated from the catalogue itself, so they match what you'll see in the Studio.
Trim sizes
Trim size is the finished dimension after cutting — what you'd measure with a ruler.
| Product | Trim sizes |
|---|---|
| Notepads | 5 × 8 in, 4 × 6 in, 3 × 5 in |
| Business cards | 3.5 × 2 in |
| Calendars | 8.5 × 11 in, 8 × 8 in |
A quick orientation:
- 5 × 8 in is the standard desk pad. Room for a real list without dominating a worktop.
- 4 × 6 in suits a kitchen counter or a bedside table, and is the usual choice for gift pads.
- 3 × 5 in is the pocket size — bags, glovebox, apron pocket.
- 3.5 × 2 in is the standard business card, the same as every card holder and wallet slot is built for.
- 8.5 × 11 in and 8 × 8 in are the calendar formats: letter for wall planners, square for a desk or a hook.
Paper stocks
Paper weight is quoted in two different systems, which is a historical mess rather than anything meaningful. Bond (or "writing") weights describe sheets you write on. Cover weights and pt (thousandths of an inch) describe card. A 65 lb cover is much heavier than a 32 lb bond despite the smaller number, because they're measured against different basis sheets.
| Stock | Weight | Feel | Used for |
|---|---|---|---|
| Everyday | 20 lb bond | Standard copy-weight sheet; the classic notepad page | Notepads |
| Premium writing | 24 lb bond | Smoother and more opaque; nicer under a pen | Notepads |
| Heavy writing | 28 lb bond | Ink stays put; minimal show-through | Notepads |
| Presentation | 32 lb bond | The thickest writing sheet; feels substantial | Notepads |
| Smooth text | 70 lb text | Light card feel; good for inserts and flat prints | Notepads, Business cards, Calendars |
| Light cardstock | 65 lb cover | Bends with a snap; postcards and toppers | Business cards |
| Cardstock | 80 lb cover | Sturdy all-purpose card | Business cards, Calendars |
| Heavy cardstock | 100 lb cover | Stiff, premium-feeling card | Business cards, Calendars |
| Card standard | 14 pt | The classic business-card thickness | Business cards |
| Card premium | 16 pt | Noticeably thick; a card people comment on | Business cards |
The practical version:
- Writing weights (20–32 lb bond) are for notepads, because you write on them. Heavier means less show-through when a pen presses hard, and a more substantial feel when a pad is torn off. 20 lb is ordinary copy paper; 32 lb feels like stationery.
- 70 lb text sits between paper and card — flat prints and inserts, not much good under a ballpoint.
- Cover weights and pt stocks are card: business cards, sturdy calendars, anything meant to stand up rather than lie flat. 14 pt is what most people picture as a business card; 16 pt is the one people comment on.
If a pad is meant to be used, favour a writing weight. If it's meant to be handed over, favour card.
Finishes
Finish is the surface treatment, and it changes both how the piece looks and whether you can write on it.
| Finish | Character |
|---|---|
| Uncoated smooth | Natural paper feel; best for writing on |
| Matte | Soft coated sheet; rich color, no glare |
| Gloss | Shiny coated; makes artwork pop (hard to write on) |
| Linen | Woven texture; classic stationery |
| Felt | Soft toothy texture; artisan feel |
| Recycled kraft | Visible fiber; earthy and natural |
The trade-off that catches people out is gloss. It makes artwork luminous and it is genuinely difficult to write on — ink beads and smears. A glossy notepad looks superb in a photograph and frustrates whoever ends up using it. For anything that takes a pen, uncoated is the safe answer; matte is the compromise when colour matters.
Linen and felt add texture that reads as expensive at arm's length and slightly reduces fine detail up close, so they suit type and pattern better than photographs. Recycled kraft shows visible fibre and shifts every colour printed on it warmer — worth previewing rather than assuming.
Paper colours
Stock shades available across the catalogue: Bright white, Natural white, Cream, Ivory, Soft gray, Blush, Sky, Mint, Butter, Kraft.
Two things to keep in mind. Ink is not opaque, so the paper colour mixes with everything printed on it — a pale blue on cream reads green-ish. And there is no white ink: anything "white" in your design is simply the paper showing through, which on kraft or butter stock means it isn't white at all. If a design depends on white space, it needs a white or near-white stock.
Putting it together
- Everyday desk pad — 5 × 8 in, 24 lb bond, uncoated smooth, bright or natural white.
- Gift pad — 4 × 6 in, 28 or 32 lb bond, uncoated or linen, cream or blush.
- Business card that gets remembered — 3.5 × 2 in, 16 pt, matte or linen.
- Wall calendar — 8.5 × 11 in, 80 lb cover, matte.
- Something people keep — go one weight heavier than feels necessary. It's the cheapest upgrade on the list, and it's the one people notice.
Every combination is previewed on the actual product before you order, and all of it prints at 300 DPI with 0.125 in bleed — see print-ready artwork for what that means for your files.